The Independent

“…the wonderful Rusalka of Ana María Martínez. What a special performance this is. Martínez does not immediately reveal what might be considered the classic Rusalka voice but she sings from such a deep core of longing, intensified by the courage of her conviction in the big releases and softened by the benevolence of melting portamento in the many moments of fragility that you totally buy into the belief that she can sing just about anything. Equally remarkable is the long stretch of act two where she doesn’t sing at all (how daring of Dvořák to silence his leading lady at the very centre of the drama). How movingly she conveys this lost child of nature marooned centre-stage on her wedding day as handmaidens apply the unwelcome ‘feminine’ touches”